From the YouTube Music Video Archives: Concerto for Orchestra, by Elliot Carter
November is almost over, and we would be remiss if we failed to note the passing of the composer Elliot Carter on the 5th. Before he was a composer, he was an English Major at Harvard, and later in life set music to many poets, such as Elizabeth Bishop, Robert Lowell, and Wallace Stevens. Carter’s music sounds like a lot of other 20th century music (as Bach sounds like a lot of other early 18th century music), in that it is typically atonal and rhythmically complex. The Concerto for Orchestra is considered by many to be his finest work; in the comments you’ll even see comments “this is indeed the greatest musical composition ever.” Ever! It is great, but it is also fairly tough going for the uninitiated—much, much more difficult than even Bartok’s great concerto, or Lutoslawski’s. As Carter himself says about harmonic patterns in his work, “a chord, a vertical group of pitches either simultaneously sounded or arpeggiated, like a motif, is a combination to be more or less clearly remem...